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The Sound Of Horror
A Study of Sound Design in Modern Psychological
Horror Film
Aired October 29 2003
WZBC 90.3 FM Boston College
PROGRAM LENGTH : 3 hours

"The Sound Of Horror" is a 3-hour study on sound
design in modern psychological horror films. This
radio program has been used in universities across
the world in study of sound design. Included are
clips, interviews, and examples of classic director
/ sound designer collaborations such as David
Lynch / Alan Splet (Eraserhead, Blue Velvet),
Alfred Hitchcock / Bernard Hermann (Psycho, The
Birds), and Darren Aronofsky / Brian Emrich (Pi,
Requiem For A Dream). Films studied include "Psycho",
"The Haunting", "The Birds",
"2001", "Alien", "The
Exorcist", "Blair Witch Project",
"Eraserhead", "Blue Velvet",
"Mulholland Drive", "Texas Chainsaw
Massacre", "Seven", "Pi",
and "Requiem for a Dream".
Hosted and produced by Brian
Carpenter.
Co-hosted by Matthew
Ryan, Boston filmmaker and student of
Academy-Award winning sound designer Walter Murch.
Matthew Ryan teaches at the New York Film Academy
in Manhattan.
Special Guests:
Steven Jay Schneider,
PhD in Cinema Studies at NYU and philosophy at
Harvard and editor of several books including
"Dark Thoughts: Philosophic Reflections on Cinematic
Horror" and "Fear Without Frontiers". Steven also
produced the Bravo TV documentary "The Scariest
Moments in Film".
Stephen Barden,
sound designer, Supervising Sound Editor of Sound
Dogs. Stephen Barden worked on sound design for
films such as "Cube", "Dracula 2000", and Darren
Aronofsky's "Requiem for a Dream". Stephen Barden
and Sound Dogs Studios are based out of Toronto.
Craig Henighan,
sound designer. Craig Henighan worked on sound
design for films such as "Red Dragon" and Darren
Aronofsky's "Requiem for a Dream". Craig Henighan
is based out of Los Angeles.
William Friedkin
and Ron Nagle interviews courtesy
of Warner Studios.
Ren Klyce, Academy
Award-nominated sound designer best known for
his long-time collaboration with director David
Fincher (Seven, Fight Club).
Interview courtesy of New Line Cinema and Warner
Home Video.
Darren Aronofsky
interview courtesy of Artisan Entertainment.
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BIBLIOGRAPHY
Chion, Michel. The Voice in
Cinema. Columbia University Press. March 1999.
Kelleghan, Fiona. "Sound Effects
in SF and Horror Films". International Conference
on the Fantastic in the Arts 21 March 1996
Rebello, Stephen. Alfred Hitchcock
and the Making of Psycho. St Martins Pr (Trade).
1999.
Kancynger, Ken. "Mixing Genres",
Technique of Film and Video Editing. Book News
Inc. 1993.
For more information on sound
design visit http://www.filmsound.org/
or join the Yahoo group sound-article-list.
Thanks to Matt Ryan, Steven
Jay Schneider, and Stephen Barden & Craig
Henighan at Sound Dogs for their valuable contributions.